Week 1: Two Cultures
Growing up,
the separation of arts and sciences was natural to me. The divide was clear, people
in the arts ponder the intangible while the sciences are grounded in reality. These
ideas were further cemented by the education I received as I grew up. Separate
classes and teaching styles coupled with differences in what each teacher
required in homework assignments helped to define these two fields as separate
from each other. C.P. Snow acknowledges the divide and termed it the “two
cultures”. He asserts that the educational systems are, in part, to blame for
this divide that exists. Having come to UCLA and majoring in neuroscience, the “north”
and “south” campuses are evidence of educational systems helping to define the “two
cultures”. The environments and attitudes of people you meet on each half of
the campus continue to delineate the stereotypes commonly associated with each
culture. “North campus” may feel more relaxed as people sit in Murphy Sculpture
Garden while in “south campus” almost no one sits in the Court of Sciences and
people are constantly in a rush.
Murphy Sculpture Garden (http://www.tft.ucla.edu/wp-content/uploads/2012/05/sculpture-garden.jpg) |
However,
attempts to reconcile the two cultures resulted in a “third culture” which, as Kelly
characterizes, focuses more on creation of tools rather than theory, innovation,
and generation of new experiences rather than adhering purely to rational
truth. I have seen this in the field of neuroscience myself as more and more research
are focused into producing a physically functioning brain, through organic
means or digital means (particularly A.I.), rather than sticking purely to
observation of the human brain.
My
time at UCLA exposed to me the culture of art and made me realize that there is
no need for boundaries between science and art. There is already tentative
communication between the two disciplines with art contributing to the research
of lighting and how the brain perceives images and science producing mesmerizing
images of the natural world which some consider to be art. I hope that I will
become more well versed in the arts as it offers a unique perspective on issues
which a scientific viewpoint may not consider. I had dabbled in the musical
field having played the trumpet for nearly 7 years. However, after coming to
college, I focused only on the sciences. As someone re-discovering the arts, I
hope to gain new perspectives which aid in how I view the world.
References
Cavanagh, P. (2005). The Artist as
Neuroscientist. Nature, 434(7031), 301-307.
http://dx.doi.org/10.1038/434301a
Kelly, K. (1998). ESSAYS ON SCIENCE AND
SOCIETY:The Third Culture. Science, 279(5353), 992-993.
http://dx.doi.org/10.1126/science.279.5353.992
Lightman, A. (2005). A Tale of Two Loves. Nature, 434(7031),
299-300. http://dx.doi.org/10.1038/434299a
Snow, C. (1959). Two Cultures and the
Scientific Revolution (pp. 1-58). London: Cambridge University Press.
Vesna, V. (2001). Toward a Third Culture: Being
In Between. Leonardo, 34(2), 121-125. http://dx.doi.org/10.1162/002409401750184672
I agree with you that the separation of art and science is quite apparent at UCLA. Among the first few things that incoming students are introduced to during orientation are the terms "North Campus" and "South Campus" and their opposing characteristics. Interestingly, speaking from a "South Campus" major, as students become more involved in research, students do get hands-on experiences with different lab techniques (i.e. transmission electron microscopy for cells/proteins visualization). These lab techniques are tools that bridge art and science. It is also important to note that a single tool does not serve the same purpose within the two cultures, highlighting the fact that there is an imbalance. The construct of the third culture depends on where the start of the bridge is, meaning that it will be different if the a person defines himself with the art or vice versa.
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